Robar la historia

Book combines an exemplary journey through Latin American artistic production. We are here involved in the vital contingency of a thought that is attracted by interruptions and not by continuities, by outbursts and not by restorations, by the intermingling of disassembled bodies and gender (s) and not by full identities , by the breakages of kinship and not by direct lineages, by the choppy knowledge and not by the unitary synthesis of an integral knowledge. he social and cultural mutations that brought the technologies of creation to experiment with new ways of doing and thinking about art that mix the expressive power of forms and concepts with citizen demands and community demands, civil movements, desire struggles that spread to crowds in action.